ComingSoon Senior Editor Brandon Schreur spoke to Gladiator II production designer Arthur Max about the Ridley Scott-directed sequel starring Paul Mescal. Max spoke about his experiences building the ...

In the Paramount+ series 1923, Taylor Sheridan expands his Yellowstone saga, following Jacob and Cara Dutton (Harrison Ford and Helen Mirren) as they confront sweeping challenges to their Montana ...

Before teaming up for “Beetlejuice Beetlejuice,” production designer Mark Scruton and set decorator David Morison were both “huge fans” of Tim Burton‘s original 1988 film. “I had it on a VHS. I think ...

For The Room Next Door, production designer Inbal Weinberg says her main focus was maintaining a realistic New York look while incorporating director Pedro Almodóvar’s visual style. “Pedro has his own ...

In Season 2 of the series, Louis recounts leaving behind New Orleans for post World War 2 Europe as he looked for fellow vampires. This took the show’s production to Prague. LePere-Schloop says, “the ...

When approaching his designs for Adolescence, production designer Adam Tomlinson says the most important aspect was to keep the flow going on set. Although filming an episode in a one shot is the job ...

Production designer Alexandra Schaller tells IndieWire about striking a balance between the tactile and the dreamy in Clint Bentley's beautifully meditative film. Clint Bentley’s latest film, “Train ...

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. In the first episode of the series, which does a great job of setting up Oswald Cobb’s journey, ...

Join DnA at Vidiots on Friday in a conversation with the production designer behind Catch Me If You Can, L.A. Confidential and many more. Join Vidiots and KCRW this Friday, where Frances Anderton will ...

Time to look up... some DC deep cuts! When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works. Some fans think they’ve started to piece that together ...