All 10 tracks share the same basic patterns and palette, but spend enough time spelunking through Euphoria Bound’s labyrinthine depths, and they begin to differentiate themselves. “Philistine ...

The Femcels have released only two songs before now, but I Have to Get Hotter arrives in a bedazzled burst of moxie. Every track has enough daft escapades to pack an 11-minute TV episode as the duo ...

The versatile metalcore singer amplifies all her strengths on her seventh album—it’s heavier, savvier, and quirkier than ever ...

On Warmer Than Gold, he invokes colors as an emotional shortcut, mentioning “neon glow” and “hundred shades of blues” on “Out of This Place.” But the melodies aren’t strong enough to excuse Cook’s ...

Five years after its ostensible farewell gig, the Taiwanese duo builds on its drone-doom foundation, incorporating shorter ...

Long a collectors’ holy grail, this searching, atmospheric soundtrack recorded for Chicago’s Adler Planetarium in 1993 mixes spiritual jazz with avant-garde pan-Africanism.

The singer’s debut channels Roy Orbison, David Bowie, and erstwhile California greats—but even his tremendous voice can’t ...

The Animal Collective member’s first solo album is a personal, psychedelic trip indulging his fascination with the hurdy-gurdy.

Pulling from doom, black metal, and shoegaze, the group brings the palette of heavy music to the perspective of a singer-songwriter’s most intimate revelations.

Duckart’s second album, Death in the Business of Whaling, further develops his creative identity by adding a little mystery, ...

What might feel most uncanny about Completely Necessary is the way the anthology anticipates waves of music that would follow ...

Both the lyrics and production of My Ghosts Go Ghost feel more conversational and off-cuff than anything the duo have ...