Few exhibitions have been more mythologized than the one that opened in a Parisian photography studio on April 15, 1874. There, over the course of a month, the trajectory of art was altered, launching ...
They originated those starving artist shows 150 years ago. The critics hated their paintings, and for years nobody bought them. But today, those same canvases fetch multimillions, and Auguste Renoir, ...
Does the world need another show of Impressionist or Postimpressionist paintings? A pretty good case can be made that the answer is no. But “Impressionists on the Water,” at the Legion of Honor Museum ...
Pierre-Auguste Renoir, "Oarsmen at Chatou." (From "Impressionists on the Water" at the Peabody Essex Museum) A couple, dressed in what you might call their Sunday-outing best, stand on the grassy bank ...
In the wake of reaching over 5 million tickets sold to Immersive Van Gogh and the opening of Immersive Frida Kahlo to tremendous acclaim in eight cities, Lighthouse Immersive is shifting its focus to ...
Here are nine shows not to miss around France, beyond the Musée d’Orsay’s blockbuster “Paris 1874: Inventing Impressionism,” which we’ve covered separately and highly recommend. The unofficial prequel ...
The flower that we view today might look vastly different when recalled from the recesses of our minds. The image that the eye actually sees is distinct, sharp and an accurate depiction of the flower.
SKILLFUL popularizers don't always get a place of honor at literature's table, but they should. They bridge the divide between scholars and general readers, harvesting the work of experts and whipping ...
Edgar Degas, "Dancers on a Bench" (c. 1898), pastel on tracing paper; lent by Glasgow Life (Glasgow Museums) on behalf of Glasgow City Council (photo © CSG CIC ...
Impressionism, the movement that forever marked the history of art, is now 150 years old, almost to the day. To celebrate the anniversary, the Musee d’Orsay in Paris together with the National Gallery ...
What will most likely be the third biggest city in the world 20 years from now? Wrong. Not London, not Los Angeles, not Peking—but Sāo Paulo, topped only by Tokyo and New York. Gaining some 300,000 ...
Seldom has an exhibition’s title been so at odds with its contents as “Impressionists in London: French Artists in Exile 1870-1904” at Tate Britain in London. Although it features two of the genre’s ...
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